HSF #10 - Literature and HSF #22 Masquerade -Fancy Dress Queen of Hearts

As you can see I'm not terribly worried about doing challenges early (although cannot start them before they are announced) or late.  I simply want them all done so as to keep my creative juices flowing and learn some new skills.  I'm also horribly late on blogging about some of them because I have been very busy.

So close to being done.  I eventually spaced out the hearts on the sash more.

This dress was created to be part of the Dickens Fair Alice in Wonderland cast.  As you can see it is a Queen of Hearts dress.  I worked hard to combine a sense of puled from the attic trunks and freshly put together.

The bodice is actually an Elizabethan bodice from a costume I bought from friend. The ruffle and the sleeves are from the skirt fabric of the same dress.  The black cotton velvet skirt and oversleeves are part fabric purchased from a friends de-stash.  The gold fringe was originally left over from the bustle dress (Oh good lord, I haven't shown you all photos of THAT either...) but I was lucky to be able to source more since I would be needing it.

Long story shortened:

Lots of pins were used...

I started by dying 1/2 inch twill tape black and cutting out and hemming the knife pleated ruffle for the hem of the skirt.  I originally calculated that I would use 3 panels of the black velvet and ended up having to add another panel.  This meant that the red ruffle was 522 inches long and I made it 8 inches deep.  I feretted the hem 18th Century style so the black twill would peak out at the bottom.  Then I pleated the ruffle onto one inch twill tape so it would be removable if necessary.

I used the same treatment for the Black velvet skirt, except that I used white one inch twill to ferret the hem there it was supposed to give a nice pop at the transition - but it wasn't as dramatic as I had hoped. The skirt is cartridged pleated into a grosgrain waistband (which I may replace).

I added a peplum to the bodice to make it more Victorian looking and add two sets of sleeves and poof! The sash was a trial because I wanted to match/compliment the fringe that I had already added to the dress so I ended up using a brushed twill and the wrong side of gold lamé to make the sash.  I added more fringe to the ends of the sash and stiched it together in such a way that I have one wee little pocket to hold my gate pass and a couple of bills since I don't carry a bag (what queen does?) and voilà! A fancy Fancy Dress Queen of Hearts!


The Challenge: Literature & Masquerade

Fabric: cotton Velvet (black and red), red silk taffeta, and white silk, brushed twill and some lamé
Pattern: none... o.O, I drafted everything free hand or used a toile I had on hand...
Year: 1850-1860 Fancy Dress
Notions: LOTS of thread, hooks & eyes, twill tape, dye,grosgrain ribbon, three tone Italian tassel fringe... and a lot of patience
How historically accurate is it? I think its pretty good.  The fabrics are correct (except maybe the lamé - which could probably substitute for cloth of gold - but since I'm using the wrong side it makes no never-mind except that it wiggles when you sew... :()
Hours to complete:I don't think I want to add it up.  I've been working at it since early October (evenings and weekends and put the finishing touches on by the second weekend of Fair.   I'd say a good starting estimate is 2-3 40 hour weeks (lots and lots of hand sewing). I've a couple of things left to tweak, but it is wearable and beautiful.
First worn: Dickens Fair November 2013
Total cost: somewhere between $400 and $500 for materials, labor?  80 to 120 hours - so a final cost is $1,200 to $2,900 depending on the hourly rate at which I pay myself (mentally that is and NOT including accessories).... o.O


*** I PROMISE to add photos of me IN the dress and a post about the Bustle Gown is forthcoming... Just look for me on Facebook if you don't want to be patient.

cartridge pleating

Otherwise known as the method that uses up massive amounts of fabric (thus helping the weaving industry), cartridge pleating is kind of fun on the hand sewing scale.  Fun because once you figure out your pattern of pleats, you can just go to town.

I made the skirt out of 20 yards of india cotton.  I followed the instructions on this website. http://www.reconstructinghistory.com/blog/how-to-cartridge-pleating

I really liked the formula for figuring out how many yards of fabric you needed.

There are others with similar information, I just liked how this one was laid out for me.

It *only* took a couple of evenings to do once the fabric had been washed and pressed.  Some variations of instructions recommend adding a layer of felt or thicker fabric at the top hem (where you are making the pleat).  The idea is to sandwich it between the fold of the skirt fabric so that you have a thicker and stiffer bit right at the hips.  I think I'll try that with the Italian dress I'm making.  I'm guessing (an educated guess) that it will make me use less fabric which is awesome as I only have 10 yards to begin with...

 So one of the websites called cartridge pleating instant hips.  Here is the skirt on Mrs.Weasley.  I can't wait to see it on me in a corset...

The lovely partlet btw, is a find from the costumer's sale.

As you can see it hangs just below my corded petticoat, so I won't have to worry about short skirts!  I'm also hoping to use this combination under my Victorian work dress...  We'll have to see what the costume lords at Dicken's say...